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《法蘭西諸事週報》導演Wes Anderson訪問:向《紐約客》致敬的「四百擊」

Wes Anderson電影美學色彩鮮明強烈,電影經常帶大家進入疑幻似真的地域,《大吉利是有限公司》遠走印度展開火車之旅,《小學雞私奔記》身處美國但遠離陸地的小島;《布達佩斯大酒店》登上虛構國家祖部羅 · · ·

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